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Planet Creature (Toronto)

Simple, lovely blown-amp Toronto girl-pop with perfectly disaffected vocals. What if Shop Assistants or Vivian Girls still cared what Mary Weiss thought? myspace

 

Magic Leaves (Cali/Austin)

Fluttering ghost folk with a strange old Stax/Philly soul vibe, like Vetiver produced by Quincy Jones. myspace

 

Microfiche (San Francisco)

Wired, warped & woozy instro post-punk wound tightly around jagged rhythms & otherworldly keyboard squall. myspace

 

The Show is the Rainbow (Nebraska)

Picture Bill Hicks' hysterically funny, but finely-tuned bullshit detector wired up to crazed one-man electro-clash dance fever. An unmissable force of nature, so don't miss it. myspace

 

The Foxx (Albuquerque)

Sexy, jet-age glam with baroque, operatic flourishes worthy of Sparks, or Queen if they'd played only CBGBs & Max's Kansas City. myspace

 

Hoa Hoa's (Toronto)

Shoegaze Torontonians (Toronodons?) blissed to the gills on New Order & OMD. The ultimate "Turn up your collar to the wind & rain music." myspace

 

Triggertown (Nebraska)

Drunked-up flu-grass music with skillet hiss & four-part art damaged harmonies intact. Rueful & victorious as that pearl-handled pistol under your spittle-soaked pillow. myspace

 

Foot Foot (Austin, Texas)

Tortured, blown-out freakbait, from a town where that's become sadly rare. And when they're not spewing rasp-bowed, heat-blasted riffs, they're capable of some unspeakably beautiful junk-sick ballads. A true lost treasure of the Austin music scene. myspace

 

Methadone Kitty & The Daily Dose (San Clemente, California)

Sprawling knotty femme-folk with all manner of oscillators, accordions, calliope & pump organ stroked, pounded, squeezed & glowing in the background like the aftermath of a circus train derailment. myspace

 

See Me River (Seattle)

Perfect night-over-Texas music with handclaps straight from 60s rock, songs strummed hard & long &.vocalist Kerry Zettel, the Morrissey of the Mountains. Ex-Band of Horses, but it's more like Michael Gira's Angels of Light. myspace

 

The Renderers (New Zealand)

Imagine Nancy & Lee robbed of the baroque orchestra & iffy pedigree, crawling across the Dunedin desert to meet Sonic Youth & Giant Sand. Easily the most unsung band of the 90s & a staple of the pioneering Siltbreeze label. So good it might still your heart. myspace

 

Sickboy (Ireland)

Crafty Emerald Isle lyrics wedded inextricably to epic, expansive early U2/Big Country guitar sprawl.myspace.

 

Mother/Father (Nashville, TN)

Like homecoming runway lights, this is a particularly twinkly brand of post-punk -- no less melancholy, no less yearning, but these are glimmering satellites, not a falling stars.myspace.

 

Shiloe

LA power-brood with throttling guitars, bass & drums & a vocalist who sounds about one uneasy hiss from slapping that grin off your face.myspace.

 

The Public

Grotesquely sexy post-punk grind with a grotesquely sexy breath between every word from grotesquely sexy New Orleans. myspace.

 

Autodrone (NYC)

Exotic, spangled 4AD drone that erupts into blistering 90s guitar-chug rave-up bliss -- think The Breeders & Throwing Muses heard through a pashmina shawl. myspace.

 

Romance

The stern melodramatic side of post-punk -- Bauhaus lurching towards Weimar. They would probably say, "Blooming towards Weimar," but that's the kind of sinister Great Northwest Expressionists they are... myspace.

 

Entertainment

The Cure & Josef K. in a dank echoiing Prague storm drain gurgling out anthems to evisceration & masochism. But, you know, from Georgia. myspace.

 

The Prids

Near-goddamn perfect Oregonian agit-prog, over-complicating the nuevo post-punk genre to the point where you won't need the outsider props to bow to its caterpillar-on-a-strait-razor elegance. myspace.

 

Blacklist

Ecstatic NYC Bunnymen rock that dives, butterflies & emerges, still swimming, into fluttering sunlight. The shit.myspace.

 

Marc Maron

Marc Maron is a stand up comic, actor, and writer who has appeared in countless clubs, in film, and on various TV shows. Engaging his audience as a storyteller, Marc is known for his incisive cultural and political commentary, mystical ruminations, and neurotic insights into human nature. Born in New Jersey and raised in Albuquerque, NM, Marc started his comedy career in the late 1980s in Hollywood, California, as a doorman at the famed stand up venue The Comedy Store. He has since lived in Boston, San Francisco, and New York City, where he co-founded possibly the first alternative comedy series, "Eating It", with friend and comedy star Janeane Garafalo at the Luna Lounge Club. Marc has appeared on just about every TV show that will allow comics, from The Late Show with David Letterman to Late Night with Conan O'Brien, where he is a special favorite. 

Tig Notaro

Tig has been seen on ABC's late night talk show Jimmy Kimmel Live, Comedy Central's "Premium Blend", featured on Comedy Central's "Best of the Improv", "Mental Engineering" on PBS, as a recurring guest host on AMC's "Movies at Our House" w/ Jimmy Pardo, doing commentary on WE's "I Can't Believe I Wore That", NBC's Last Comic Standing IV, in her own half hour comedy special "Comedy Central Presents TIG", guest starring in two new series' "Dog Bites Man" and "The Sarah Silverman Program" both on Comedy Central, appeared as a sidekick for E!'s "The Chelsea Handler Show" pilot and is currently a regular cast member for NBC's sketch/improv "Comedy Colloseum" pilot.
 

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Spider House Event Calendar

SPIDER HOUSE is Austin's home for cocktails, coffee, cuisine and culture, with nightly free movies, live music, DJS and art events. Spider House is located at 2908 Fruth St. and can be reached at (512) 480-9562.

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